Memminger Zeitung
May 20, 2004
"A double experience"
“Right from the start, he gave a convincing performance with his natural professionalism and the seriousness of his personality. He opened with a successful interpretation of Beethoven’s Sonata op. 10 No. 3 in D major showing the utmost precision and classical feeling of style – exciting until the very last tone. He demonstrated a gift for great musical constructs in Beethoven’s last movement, but especially in Brahms’s pieces from op. 118, which he virtually extolled.
The program was richly orientated towards “Pélérinage” by the contemporary Brazilian composer Almeida Prado. This oeuvre is religiously inspired in the sense of Messiaen or Franz Liszt's later period, but entirely independent in its tonality.”