Frankfurter Allgemeine Zeitung
March 6, 1998
“In Liszt’s transcription of Wagner’s ‘Isolde’s Death of Love' he convincingly reproduced in an intensifying construct the sensual radiance of the loving souls in eternity…the musician reached full bloom in three movements of Ravel’s ‘Miroirs’. Here, crowns of foam hidden in chains of trills suddenly flashed out in ‘Une barque sur l’océan’, the sombre mood of ‘Oiseaux tristes’ was powerful and ‘Alborada del gracioso’ was witty and charming.”